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VI. Eve, Salome and Mary: Defining the Role of Women in Romanesque Art
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| Autun Cathedral, formerly north transept portal (now Musée Rolin): Eve and the serpent, c.1130 |
| Neuilly-en-Donjon, tympanum showing Adoration of the Magi with Mary trampling beasts; lintel with Fall and Feast at the House of Simon, c. 1125-50 |
| Souillac, Abbey of Sainte-Marie: Legend of Theophilus, c.1140-50 |
| Rome, Santa Maria in Trastevere, apse mosaic: Assumption of the Virgin, 1143 |
| Senlis Cathedral, west portal: Death, Assumption and Coronation of the Virgin, c.1170 |
| Toulouse, Cathedral of St-Etienne (now Musée des Augustins), cloister capital showing Salome dancing and carrying the head of John the Baptist to Herodias, c.1140 |
| Toulouse, Cathedral of St-Etienne (now Musée des Augustins), cloister capital showing Herod with Salome, c.1140 |
| Toulouse, Abbey of La Daurade (now Musée des Augustins), cloister capital showing dance of Salome carries the head of John the Baptist to Herodias, c.1100-1110 |