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XX. "Convivencia" and Alterity in late Medieval Art: Cultural Emulation or Rejection amongst Christians, Jews, Muslims and Black Africans
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![]() | Santa Maria la Blanca, former synagogue of Toledo, 13th century: interior view |
![]() | Synagogue, El Transito, Toledo: interior general view |
![]() | Synagogue El Transito, Toledo: interior east wall |
![]() | Westminster Bestiary, English, 13th century: Prodigies, including Sciopod, (Westminster Abbey Library MS 22, fol. 3r) |
![]() | Entry of Henry VI into Palermo, from Pietro da Eboli's Liber ad honorem Augusti, 1195-97 (Bern, Burgerblibliothek, Cod. 120, fol. 134) |
![]() | Jewish Receipt Roll of 1233, London (Public Record Office, E401, 1565, 17 Hen III): Isaac of Norwich and other Jews |
![]() | Saint Maurice, painted sandstone, Magdeburg Cathedral, ca. 1240-50 |
![]() | Four-headed capital with Black African, ca 1200-50 |