Henry J. Drewal

Image of Henry J. Drewal

Evjue-Bascom Professor

Phone: 608.263.9362

Email: hjdrewal@wisc.edu

Office Number: 229 Elvehjem

Born and raised in Brooklyn and Hempstead, NY, Henry John Drewal received his BA from Hamilton College majoring in French and minoring in Fine Arts. After graduation he joined the Peace Corps, taught French and English, and organized arts camps in Nigeria. During his two years in Nigeria he apprenticed himself to a Yoruba sculptor – a transformative experience that led him to interdisciplinary studies at Columbia University in African art history and culture, receiving two Masters' degrees and a PhD in 1973. He taught at Cleveland State University (where he was chair of the Art Department), and was a Visiting Professor at UC-Santa Barbara and SUNY-Purchase. He also served as Curator of African Art at The Cleveland Museum of Art and the Neuberger Museum.

Since 1991 he has been the Evjue-Bascom Professor of Art History and Afro-American Studies at UW-Madison. He has published several books, edited volumes, exhibition catalogues, and many articles on African and African Diaspora arts, among them: Introspectives: Contemporary Art by Americans and Brazilians of African Descent; Yoruba: Nine Centuries of African Art and Thought; Beads, Body, and Soul: Art and Light in the Yoruba Universe; Mami Wata: Arts for Water Spirits in Africa and its Diasporas; Dynasty and Divinity: Ife Art in Ancient Nigeria; Soulful Stitching: Patchwork Quilts by Africans (Siddis) in India.

As Adjunct Curator of African Art at the Chazen Museum of Art of UW-Madison, he curated the permanent African art gallery there, and most recently – Double Fortune, Double Trouble: Art for Twins among the Yoruba at the Fowler Museum-UCLA. He has also produced a number of films documenting African and African Diaspora arts, and lectured widely on these topics (see his website at www.henrydrewal.com ).

Among his numerous awards are several NEH and NEA grants, three Fulbright Research Awards (Brazil, Benin, Morocco), a Metropolitan Museum of Art Fellowship, and a Guggenheim Fellowship.

He is currently developing his approach for understanding material culture/arts, cultures, and histories called Sensiotics which considers the crucial role played by the senses in shaping body-minds. This will be the focus of his work at the Bard Graduate Center-NY in 2017 as he studies collections of African objects in forged iron from New York metropolitan museums for a forthcoming major traveling exhibition entitled Striking Iron: The Art of African Blacksmiths.

Curriculum Vitae (PDF)