Whirling Return of the Ancestors: Egúngún Arts of the Yorùbá in Africa and Beyond

egungun

 

January 24 – April 8, 2018

 

Opening reception: Thursday, January 25, 5 – 7 pm
Ruth Davis Design Gallery, Nancy Nicholas Hall
1300 Linden Dr., University of Wisconsin-Madison

 


 Dr. Drewal's exhibition

The Ruth Davis Design Gallery hosts the exhibition Whirling Return of the Ancestors, a dynamic, multi sensorial exhibition of sights, sounds, motions … and emotions, January 24 – April 8, 2018, with an opening

Reception Thursday, January 25, 2018, 5 – 7pm. The exhibition presents the rich and varied artistry of Egúngún masquerades and other arts inspired by a tradition that honors and celebrates the power and eternal presence of ancestors among Yorùbá peoples of West Africa. This connection between the living and the departed is expressed in a Yorùbá saying: “The world is a marketplace [we visit], the otherworld is home.” (Ayé l’ọjà, ọ̀run n’ilé).

Whirling Return of the Ancestors was researched, organized, and curated by students in the fall 2017 Art History Curatorial Studies-Exhibition Practice class taught by Evjue-Bascom Professor Henry Drewal. The project was developed in collaboration with the Ruth Davis Design Gallery in the School of Human Ecology (SoHE) and resonates closely with SoHE’s vision to inspire global intercultural experiences, reach new audiences, and welcome creativity through synthesizing research, outreach, and engagement. 

Egúngún masquerades are collaborative family and community creations involving reflection, remembrance, and renewal. Such masquerade pageantry celebrates the spirits of ancestral hunters and warriors, legendary heroes and heroines, founding fathers and mothers, and a pantheon of uncountable deified ancestors (òrìṣà) – all of whom influence and guide the living. 

Egúngún multi-media ensembles range from the fearsome to the fashionable. Cloth is the primary medium of Egúngún. Yorùbá say, “cloth only wears to shreds,” that is, it never disappears, like ever-present ancestors. Egúngún are made of layers upon layers of disparate fabrics, some locally woven and re-worked, others industrially manufactured from all parts of the planet. Each three-dimensional Egúngún ensemble materializes the fourth dimension: the spiritual realm of the departed.  Its varied media enclose and activate the trance-formation of the masquerader who becomes the spirit of an ancestor and embodies the infinite cycle of birth, life, departure and return. 

Gallery visitors will encounter two dazzling Egúngún ensembles that create a “breeze of blessing” when they whirl in performance. The exhibition also includes two historic Egúngún ensembles from the Helen Louise Allen Textile Collection, cloth and carved wooden headdresses, and carved memorial figures representing departed sacred twins. Several works are on loan from the Chazen Museum of Art and private collectors. Powerful contemporary traditions are represented through photographs by Phyllis Galembo, textile works by Agbo Folarin and Koffi Gahou, a painting by Wole Lagunju, and a painted ensemble in motion by Moyo Okediji.  The gallery is filled with sights, sounds, and motions in a documentary film of the annual Egúngún festival in Porto Novo, Republic of Benin, and Ọ̀yọ́tunji Village, South Carolina.

A series of monthly public programs supplement the exhibition:
· March 7, 2018: Lecture-demo about African American Second-Line funeral processions in New Orleans
· April 5-8, 2018: Performances by a troupe of Egungun masqueraders, singers, and drummers from Ọ̀yọ́tunji Village, South Carolina, who will give workshops at UW-Madison, the Madison Children’s Museum, and a Madison public school
· April 6-7, 2018: Two-day Symposium on the theme Honoring Ancestors in Africa: Arts and Actions
· Date to be determined: Program about different cultural funeral traditions in Madison
 
Funding by the UW-Madison Anonymous Fund, African Studies ProgramEvjue FoundationAfrican Diaspora and the Atlantic World Research Circle (ADAWRC)Center for the HumanitiesCenter for Visual CulturesInstitute for Regional and International Studies (IRIS), and Afro-American Studies