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The Frick Collection | Recovering Women’s Legacies: Artists, Dealers, Collectors, & Patrons (Part III)
June 16 @ 11:00 am - 12:00 pm
|This June, the Center for the History of Collecting and The Wildenstein Plattner Institute (WPI) are hosting a Wednesday lunchtime series spotlighting archival resources on important women who shaped visual culture in the nineteenth and twentieth centuries.
𝗣𝗮𝗿𝘁 𝗧𝗵𝗿𝗲𝗲: 𝗙𝗹𝗼𝗿𝗲𝗻𝗰𝗲 𝗦𝗹𝗼𝗮𝗻 𝗮𝗻𝗱 𝗡𝗮𝗻𝗲𝘁𝘁𝗲 𝗕𝗲𝗮𝗿𝗱𝗲𝗻, 𝗝𝘂𝗻𝗲 𝟭𝟲
𝘗𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘈𝘮𝘣𝘪𝘵𝘪𝘰𝘯𝘴 𝘢𝘯𝘥 𝘊𝘰𝘮𝘮𝘶𝘯𝘢𝘭 𝘜𝘱𝘭𝘪𝘧𝘵: 𝘛𝘩𝘦 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘰𝘳 𝘍𝘭𝘰𝘳𝘦𝘯𝘤𝘦 𝘚𝘭𝘰𝘢𝘯 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘩𝘦𝘳 𝘈𝘳𝘤𝘩𝘪𝘷𝘦, by Evie Terrono, Professor of Art History, Randolph-Macon College
𝘓𝘦𝘨𝘢𝘤𝘺 𝘉𝘶𝘪𝘭𝘥𝘪𝘯𝘨: 𝘍𝘪𝘯𝘥𝘪𝘯𝘨 𝘵𝘩𝘦 𝘈𝘳𝘤𝘩𝘪𝘷𝘦 𝘰𝘧 𝘕𝘢𝘯𝘦𝘵𝘵𝘦 𝘉𝘦𝘢𝘳𝘥𝘦𝘯, by Diedra Harris-Kelley, Co-Director of the Romare Bearden Foundation.
As centers for art historical research, the WPI and the Frick are dedicated to promoting the accessibility of art historical information and to encouraging new avenues of exploration among scholars.
|Audience||Adults, College & Graduate Students, Educators, Young Professionals|
Composite image caption:
Upper left—Photograph of A’Lelia Walker, Madam Walker Family Archives/A’Lelia Bundles. Upper right—Alexandre Cabanel (French, 1823–1889), Catharine Lorillard Wolfe (1828–1887), 1876, The Metropolitan Museum of Art (87.15.82), New York. Lower right—Nanette and Romare Bearden at Bearden’s opening at MoMA in 1971. Photograph by Sam Shaw, Romare Bearden Foundation Archives. Lower left—Florence Sloan’s wedding trousseau, Archives, Hermitage Museum & Gardens, Norfolk, VA.