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The Frick Collection | Recovering Women’s Legacies: Artists, Dealers, Collectors, & Patrons (Part IV)
June 23, 2021 @ 11:00 am - 12:00 pm
| This June, the Center for the History of Collecting and The Wildenstein Plattner Institute (WPI) are hosting a Wednesday lunchtime series spotlighting archival resources on important women who shaped visual culture in the nineteenth and twentieth centuries.
𝗣𝗮𝗿𝘁 𝗙𝗼𝘂𝗿: 𝗖𝗮𝘁𝗵𝗮𝗿𝗶𝗻𝗲 𝗟𝗼𝗿𝗶𝗹𝗹𝗮𝗿𝗱 𝗪𝗼𝗹𝗳𝗲 𝗮𝗻𝗱 𝗔’𝗟𝗲𝗹𝗶𝗮 𝗪𝗮𝗹𝗸𝗲𝗿, 𝗝𝘂𝗻𝗲 𝟮𝟯
𝘊𝘢𝘵𝘩𝘢𝘳𝘪𝘯𝘦 𝘓𝘰𝘳𝘪𝘭𝘭𝘢𝘳𝘥 𝘞𝘰𝘭𝘧𝘦: 𝘚𝘦𝘤𝘶𝘳𝘪𝘯𝘨 𝘏𝘦𝘳 𝘓𝘦𝘨𝘢𝘤𝘺 𝘪𝘯 𝘵𝘩𝘦 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘓𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘎𝘪𝘭𝘥𝘦𝘥 𝘈𝘨𝘦, by Margaret R. Laster, Independent Scholar and Consultant, Center for the History of Collecting, Frick Art Reference Library 𝘈’𝘓𝘦𝘭𝘪𝘢 𝘞𝘢𝘭𝘬𝘦𝘳’𝘴 𝘏𝘢𝘳𝘭𝘦𝘮 𝘙𝘦𝘯𝘢𝘪𝘴𝘴𝘢𝘯𝘤𝘦 𝘚𝘢𝘭𝘰𝘯, by A’Lelia Bundles, Author, Board Member of the National Archives Foundation
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| Audience | Adults, College & Graduate Students, Educators, Young Professionals |
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Composite image caption:
Upper left—Photograph of A’Lelia Walker, Madam Walker Family Archives/A’Lelia Bundles. Upper right—Alexandre Cabanel (French, 1823–1889), Catharine Lorillard Wolfe (1828–1887), 1876, The Metropolitan Museum of Art (87.15.82), New York. Lower right—Nanette and Romare Bearden at Bearden’s opening at MoMA in 1971. Photograph by Sam Shaw, Romare Bearden Foundation Archives. Lower left—Florence Sloan’s wedding trousseau, Archives, Hermitage Museum & Gardens, Norfolk, VA.
