College of Letters & Science
Nancy Rose Marshall
224 Elvehjem
Office Hours
Wednesdays 12:00 - 1:30p.m. and by appointment.

Nancy Rose Marshall

Ph.D. Yale University, 1998
M.A. Yale University, 1992
M.A. Courtauld Institute of Art, London, 1991
B.A. Yale University, 1987
Research Interests
Nineteenth-century French and British Art and Visual Culture. Particular interests in the interrelationships of Victorian painting and literature; gender issues; empire, history of science, theories of realism, and material culture.

Books and Catalogues:

City of Gold and Mud: Painting Victorian London (Paul Mellon Center for Studies in British Art; Yale University Press, London, 2012)

James Tissot: Victorian Life/Modern Love (Exhibition Catalogue, Yale Center for British Art, 1999)

In Preparation: "Dante Gabriel Rossetti." Monograph. Phaidon Press.

"'This Horrid Grandeur': Imaging Fire in the Victorian World." Book project.

Selected Articles:

“’A Fully Consummated Sacrifice Upon her Altar’:  Victorian Cremation as Metamorphosis.” Victorian Studies 56:3. (Spring 2014): 12pp.

"'A Strongly Shaded Picture': Representations of Othello and Desdemona in Victorian Visual Culture." In Transculturation in British Art 1770-1930. Edited by Julie Codell. Farnham, Surrey and Burlington, VT: Ashgate Press, 2012.

"James Tissot's 'Colored Photographs of Vulgar Society'" In Victorian Vulgarities. Edited by Susan David Bernstein and Elsie B. Michie. London: Ashgate Press, 2009. 201-222.

"'A Dim World, Where Monsters Dwell': The Spatial Time of the Sydenham Crystal Palace Dinosaur Park." Victorian Studies. 49:2 (Winter 2007): 286-301.

"Family Affair: Realism, Detection and the Family in William Powell Frith's The Railway Station of 1862." British Art Journal. 26 ms. pp. Summer, 2007.

"History Illuminated: William Holman Hunt's London Bridge." Art History 29: 5. Winter 2006. 827-859.

"Image or Identity: James Tissot's Images of Kathleen Newton," in Katharine Lochnan, ed., Seductive Surfaces: The Art of Tissot (London: Paul Mellon Centre and Yale University Press, 1999)

FIG: Freshman Interest Group Seminar
             - Race, Class and Gender in Victorian Visual Culture
             - Representing London
AH 202: Renaissance to Modern Art
AH 346: British Art and Society from the Eighteenth Century to the Present
AH 350: Nineteenth-Century Painting in Europe
AH 365: American Art Since 1945
AH 407: Topics in Nineteenth-Century Art
             - Realisms in Nineteenth-Century Visual Culture
             - Pre-Raphaelitism, Vision, and Desire
             - From Fairies to Steampunk: The Victorian Imagination Then and Now in Art and Literature
AH 555: Proseminar in Nineteenth-Century European Art
             - The Nineteenth-Century Body
             - The City
             - Victorian Networks: Themes Toward an Exhibition of British Watercolors
AH 701: Practicum in Art History: Bibliography, Historiography, Methods
AH 855: Seminar in Nineteenth-Century European Art
             - Art of Empire in Nineteenth-Century Britain and France
             - Representing the City in Nineteenth-Century French and British Visual Culture
             - Victorian Networks: Themes Toward an Exhibition of British Watercolors
             - Evolving Forms: Victorian Art and Science