My other interests include artistic production in the wake of the Arab Spring; the re-imagining of the “medieval” in contemporary arts in the Middle East; and architectural patronage in the Arabian Gulf.
“The Fatimid Holy City: Destroying and Building Jerusalem in the Eleventh Century,”The Medieval Globe (forthcoming)
“Monumentalizing the Ephemeral: Ganzeer and the Rise of Cairene Street Art” World Art (2017) 1-23.
“The Three Caliphates, a Comparative Approach,” with Glaire Anderson. The Companion to Islamic Art and Architecture, edited by Gülru Necipoğlu and Finbarr B. Flood (Blackwell Companions to Art History), Malden, MA: Wiley-Blackwell, 2017,
Catalog entries on medieval and contemporary art of the Middle East in Ink, Silk, and Gold: Islamic Art from the Museum of Fine Arts, Boston, edited by Laura Weinstein, Boston: Museum of Fine Arts Publications, 2015.
“Miracle at Muqattam: Moving a Mountain to Build a Church in the Early Fatimid Caliphate (969-995),” in Sacred Precincts: Non-Muslim Religious Sites in Islamic Territories, edited by Mohammad Gharipour and Stephen Caffey, Boston: Brill, 2014,
“Method in Madness: Reconsidering the Destruction of Churches in the Fatimid Era,” Muqarnas 30 (2013) 119-139.
Review of In Harmony: The Norma Jean Calderwood Collection of Islamic Art (exhibition, Harvard University, Sackler Museum) College Art Association Reviews, 2013.
AH 210: The History of the World in 20 Buildings
AH 370: Great Cities of Islam
AH 305: Islamic Art and Architecture
AH 413: Art in the Age of the Caliphs
AH 440: Art and Power in the Arab World
AH 515/815: Cross-Cultural Encounters in Islamic Art
AH 515/815: Conflict and Coexistence in the Architecture of Medieval Spain