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New Directions in Eighteenth- and Nineteenth-Century Art

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January 2022

NDENCA Seminar | Photography and Plaster-Casting in Édouard Dantan’s Atelier Paintings

January 31 @ 11:00 am - 12:00 pm

Emily Madrigal, Clark Art Institute Emily Madrigal is an independent researcher and artist. She received her MA degree from the Williams College Graduate Program in the History of Art at the Clark Art Institute in…

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February 2022

NDENCA Seminar | “[A] kind of miniature monument”: Visualising Anglo-Jewry and the Old Testament in The Montefiore Centrepiece

February 7 @ 11:00 am - 2:00 pm

Dr Maddie Boden, Ashmolean Museum Maddie is a research assistant at the Ashmolean Museum, working on the ERC-funded project, Chromotope: the 19th century Chromatic Turn. Her research focuses on British Orientalist visual culture and representations of the Holy…

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NDENCA Seminar | “Permanently useful” and “practically beneficial”: Art Journal’s Illustrated Catalogues as records of taste and stylistic debate, 1851–1900

February 21 @ 11:00 am - 2:00 pm

Lieske Huits, PhD candidate, University of Cambridge and Victoria & Albert Museum Lieske Huits (she/her) is a PhD candidate in the History of Art at the University of Cambridge in an AHRC-funded collaborative partnership with the Victoria…

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March 2022

NDENCA Seminar | Overlooked but essential: famous artists’ domestic servants

March 7 @ 11:00 am - 2:00 pm

Apolline Malevez, PhD Candidate, Queen’s University Belfast Apolline Malevez is currently a final year Marie Sklodowska-Curie PhD student at Queen’s University Belfast (UK). Her research project (‘Interior Spaces in Belgian Art and Architecture (1880–1914): Domesticity,…

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NDENCA Seminar | Mexico City (1825), Rio de Janeiro (1827), Lima (1836): The Erasure of Indigenous Presence in Robert Burford’s Panoramas of Latin America

March 21 @ 12:00 pm - 3:00 pm

Carla Hermann, Rio de Janeiro Cultural Heritage Institute Carla Hermann is a researcher at Rio de Janeiro Cultural Heritage Institute in Brazil. In her PhD dissertation (2016), she studied the only panorama of Rio de…

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