Jill H. Casid
Scenes of Projection: Recasting the Enlightenment Subject (Minneapolis: University of Minnesota Press, 2015).
Sowing Empire: Landscape and Colonization (Minneapolis: University of Minnesota Press, 2005), Awarded Millard Meiss grant from College Art Association.
Art History in the Wake of the Global Turn, co-edited with Aruna D’Souza, Clark Studies in the Visual Arts series (New Haven: Yale University Press, 2014).
Special issue on “Romantic Visualities,” co-edited with Theresa Kelley, Praxis: the online journal of Romantic Studies (December 2014).
“Necropolitics at Sea,” Migration and the Contemporary Mediterranean, Shifting Cultures in 21st-Century Europe, ed. Claudia Gualtieri (Oxford: Peter Lang, 2018).
“Necrolandscaping,” Natura: Environmental Aesthetics after Landscape, eds. Jens Andermann and Lisa Blackmore (Zurich: Diaphanes, 2018).
“Queer Deformativity,” The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co. (1983-2004), eds. Jeannine Tang, Lia Gangitano, and Ann Butler (New York: Dancing Foxes Press, 2018).
“Landscaping for Chimeras,” Architecture is All Over, eds. Esther Choi and Marrikka Trotter (New York: Columbia Books on Architecture and the City, 2017), 268-83.
“A State of Foreclosure: The Guantánamo Prison,” The Philosophical Salon: Twenty-First Century Speculations, Reflections, Interventions, eds. Patricia Vieira and Michael Marder (London: Open Humanities Press, 2017), 226-28.
“Visual Representations,” in The Princeton Companion to Atlantic History ed. Joseph C. Miller, associate eds. Vincent Brown, Jorge Cañizares-Esguerra, Laurent Dubois and Karen Ordhal Kupperman (Princeton: Princeton University Press, January 2015), 468-76.
“Alter-Ovid—Contemporary Art on the Hyphen,” A Handbook to the Reception of Ovid, eds. John F. Miller and Carole Newlands (Oxford: Wiley-Blackwell, 2014), 416-35.
“Turning the ‘Fearful Sphere’: Prepositional Tactics in and for the Global,” in Art History in the Wake of the Global Turn, co-edited with Aruna D’Souza, Clark Studies in the Visual Arts series (New Haven: Yale University Press, 2014), 213-27.
“Pyrographies: Photography and the Good Death,” Women & Performance: a journal of feminist theory 22.1 (2012): 109-31.
‘Handle with Care,” TDR/Drama Review 56.4(Winter 2012): 123–37.
“Cis,” Journal of Visual Culture 11 (2012): 140–44.
“Landscape in, around, and under the Performative,” Women & Performance: a journal of feminist theory 21.1 (2011), 97–116.
“Chimerical Figurations at the Monstrous Edges of Species,” Environmental Criticism for the Twenty-First Century, eds. Stephanie Lemenager, Teresa Shewry, and Ken Hiltner (London: Routledge Press, 2011), 61–83.
“Landscape Trouble,” in Landscape Theory, eds. James Elkins and Rachael Z. DeLue (London: Routledge Press, 2007), 179–87.
Cross-Cultural Arts around the Atlantic Rim, Introductory Lecture Course, Fulfills Ethnic Studies Requirement
History and Theory of Photography, Introductory Lecture Course
Introduction to Museum Studies II: Curatorial Practicum
Queer Theory, Visual Culture, Intermediate Lecture Course, Cross-listed with LGBT Studies Program
Theories and Methods for Visual Studies, Honors Seminar
Topics in Visual Culture: Word and Image, Intermediate Lecture Course, Cross-listed with Comparative Literature
Introduction to Critical Theory and Visual Culture, Intermediate Lecture Course
Imagining Diverse Community: Theory, Politics, and Art Exhibition Practices, First-Year Student Seminar
On Beauty: Value, Culture, History, Capstone Proseminar
What is Baroque?, Capstone Proseminar
Topics in the Study of Visual Cultures: Psychoanalysis and Visual Culture
Topics in the Study of Visual Cultures: Bioethics and Aesthetics
Topics in the Study of Visual Cultures: After the Global Turn
Object-Body-Mind: Interrogating Sense Perception and Experience, co-taught with Ann Smart Martin
Romantic Visual Culture, cross-listed with English, co-taught with Theresa Kelley
Methods and Theories of Art History
Theory and Visual Culture: Deleuze and Guattari
Aesthetics and Visual Culture
Theory as Visual Practice, Visual Practice as Theory
Science, Hermeticism, and Visual Culture
Case Histories: Psychoanalysis and Visual Culture